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International Booker winner Georgi Gospodinov interview: “We’re living i…
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Alastair Campbell interview: “Boris Johnson and his kind should never b…
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Deano is Britain’s most misunderstood man - New Statesman
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Keir Starmer’s transition from soft-left to Labour right is complete - New State…

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Labour conference: Rachel Reeves gives her best speech yet - New Statesman
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The long shadow of Mr Blobby - New States…
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Sewage map shows potentially illegal “dry spills” - New Statesman
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David Nutt on psychedelic drugs as a treatment for depression - New Statesman

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Why are British doctors considering rejecting the Cass report? - New Statesm…
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How the National Trust won the war on woke - New Statesman
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Mark Rutte's next move - New Statesman
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Fifty years on the campaign trail - New Statesman

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Why Britain isn’t as broken as you think - New Statesman
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Giant is a generous and pitiless portrait of Roald Dahl - New Statesman
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Review: Tate Britain’s revelatory exhibition of women artists, Now Yo…
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The UK housing crash is just beginning - New Statesman

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NHS dentistry: "dental deserts" see Brits perform DIY treatment
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Labour’s next generation - New Statesman
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Israel's past approach to Hamas failed, says ambassador - New Statesman
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Mission-driven government: what’s the big idea? - New Statesman

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Hollywoodgate review: A glimpse of the Taliban at work - New Statesman
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What’s stopping a two-state solution? - New Statesman
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Rosena Allin-Khan: "This is Tory Britain, where we examine patients i…
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Reform UK isn’t the Tories’ big problem - New Statesman

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The end of BEIS: why mixing business and energy didn’t work - N…
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Are the polls overstating Labour’s lead? - New Statesman
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The best children’s book…
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“I’ve done more than anyone else to defeat th…
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The latest NHS figures reveal high ambulance waiting times - New Stat…

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Sue Gray resigns as Keir Starmer's chief of staff - New Statesman
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The rise of cultural Christianity - New Statesman
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Why Roger Deakin’s Waterlog will change your life - New Statesman
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The rise of a new axis - New Statesman

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Steve Reed: “Farmers feel shafted by this government” - New Statesman
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Netflix’s Eric is a dark and daring triumph - New Statesman

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