Most notably, in terms of destruction on the west coast, a large chunk of the iconic Santa Cruz Wharf collapsed from the inundation of swell, and was sent spinning through the high seas like a rubber ...
"Dune: Part Two" cinematographer Greig Fraser eschewed extensive VFX to create a striking look for Austin Butler's big fight scene.
Mapping the great wave: how Lux Aeterna produced data-centric visuals for Tsunami: Race Against Time
VFX house Lux Aeterna used wave height data from the National Oceanic & Atmospheric Administration for National Geographic's ...
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