Fig.2 John Constable The Cornfield 1826 National Gallery, London Born into a prosperous family in the village of East Bergholt, Suffolk, Constable’s early display of aptitude and passion for painting ...

Suspended, collapsed, stacked, wrapped or folded, the works of Phyllida Barlow spring from an interrogation of some of the most fundamental aspects of sculpture: its physical attributes and its ...

This is one of four reports produced by researchers in the project Reshaping the Collectible: When Artworks Live in the Museum. Each offers a perspective from one of four practices that are changing ...

Transnational is a way of understanding, researching and curating that encourages the idea that art, artists and art histories are connected beyond their countries of origin. The word ‘transnational’ ...

Longinus, ‘Longinus on the Sublime’, trans. by W.H. Fyfe and Donald Russell, in Jeffrey Henderson (ed.), Aristotle, Poetics; Longinus, on the Sublime; Demetrius ...

In 1886 the philosopher Friedrich Nietzsche declared the sublime out of date. A number of artists of early and mid-twentieth century continued to engage with concepts of the sublime, though often in ...

Edmund Burke’s Philosophical Enquiry (1757) connected the sublime with experiences of awe, terror and danger. Burke saw nature as the most sublime object, capable ...

Emerging alongside a network of notable figures such as Scarlett Cannon, Boy George and Princess Julia, Bowery cemented his ...

Do Ho Suh, Rubbing/Loving Project: Seoul Home, 2013-2022. Installation view at Museum of Contemporary Art Australia, Sydney, Australia. Photography by Sebastian ...

The June 1966 issue of Arts Magazine heralded the Argentine artist Marta Minujín’s arrival on the international art scene as a ‘Latin Answer to Pop’. This article seeks to complicate Minujín’s ...

Andrew Cummings reports on a talk by the artist Tehching Hsieh, featuring a response from Amelia Groom (editor of Time in the Documents of Contemporary Art publication series) and a discussion ...